Identification & Integration Of The Jungian Shadow In Dostoyeveskian Literature

Ishaan Deepak Joshi, MIT-WPU, Faculty of Law

ABSTRACT

The article aims to explore the presence of Jung's Shadow archetype in the works of literature of Dostoevsky, while also examining the potential consequences of this archetype on the overall characterization of his literary figures. Considering the extensive body of work by the Russian author, I will focus on a select few of his literary compositions, specifically "The Possessed," "Crime and Punishment," "The Brothers Karamazov," "Notes from Underground," as well as "The Double." Every individual is confronted with their Shadow and is compelled to make efforts to conquer it. However, in the event of failure or a lack of attempt to achieve mastery over the Shadow, what are the consequences? Raskolnikov's endeavour to emancipate oneself from the constraints of his inner darkness proved belated, as he had already perpetrated the act of murder. However, his actions were not without purpose, as he managed to achieve personal redemption. Consequently, due consideration should be given to his exertions. This does not assist him in evading the disciplinary consequences, but rather presents him with an opportunity for reintegration following its completion. In contrast, Smerdyakov's situation diverges in that he did not endeavour to confront his Shadow. His sole justification rested on the premise that his actions were driven by the aspiration to fulfil his brother's request. It is evident that the individual in question lacks prospects for a more favourable future, and the responsibility for this predicament rests with him due to his failure to actively pursue such opportunities. Individuals in Dostoevsky's works consistently exhibit a profound susceptibility to the influence of an unfortunate fate, an unfortunate circumstance from which they are unable to extricate themselves.